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Georgian Gothic: Medievalist Architecture, Furniture and Interiors, 1730-1840

Author/EditorLindfield P (Author)
ISBN: 9781783271276
Pub Date20/10/2016
BindingHardback
Pages282
Dimensions (mm)239(h) * 163(w) * 23(d)
First full-length study of the impact of the Gothic Revival across the arts, from literature and architectural theory to houses, furniture and interiors.
$102.44
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The Gothic Revival, rich, ambitious, occasionally eccentric, but nonetheless visually exciting, is one of Britain's greatest contributions to early modern design history, not least because for the most part it contravened approved taste: Classicism. Scholars have tended to treat Georgian Gothic as an homogenous and immature precursor to "high" Victorian Gothic, and centred their discussion around Walpole's Strawberry Hill. This book, conversely, reveals how the style was imaginatively and repeatedly revised and incorporated into prevailing eighteenth-century fashions: Palladianism, Rococo, Neoclassicism, and antiquarianism. It shows how under the control of architects, from Wren to Pugin, Walpole and Cottingham, and furniture designs, especially those of Chippendale, and Ince and Mayhew, a shared language of Gothic motifs was applied to British architecture, furniture and interiors. Georgian Britain was awash with Gothic forms, even if the arbiters of taste criticised it vehemently. Throughout, the volume reframes the Gothic Revival's expression by connecting it with Georgian understandings of the medieval past, and consequently revises our interpretation of one of the most influential, yet lampooned, forms of material culture at the time.

Peter N. Lindfield is a Leverhulme Early Career Research Fellow at the University of Stirling.

The Gothic Revival, rich, ambitious, occasionally eccentric, but nonetheless visually exciting, is one of Britain's greatest contributions to early modern design history, not least because for the most part it contravened approved taste: Classicism. Scholars have tended to treat Georgian Gothic as an homogenous and immature precursor to "high" Victorian Gothic, and centred their discussion around Walpole's Strawberry Hill. This book, conversely, reveals how the style was imaginatively and repeatedly revised and incorporated into prevailing eighteenth-century fashions: Palladianism, Rococo, Neoclassicism, and antiquarianism. It shows how under the control of architects, from Wren to Pugin, Walpole and Cottingham, and furniture designs, especially those of Chippendale, and Ince and Mayhew, a shared language of Gothic motifs was applied to British architecture, furniture and interiors. Georgian Britain was awash with Gothic forms, even if the arbiters of taste criticised it vehemently. Throughout, the volume reframes the Gothic Revival's expression by connecting it with Georgian understandings of the medieval past, and consequently revises our interpretation of one of the most influential, yet lampooned, forms of material culture at the time.

Peter N. Lindfield is a Leverhulme Early Career Research Fellow at the University of Stirling.

Introduction: the Gothic Aesthetic in Britain and British Furniture, 1730-1840 Understanding Gothic Architecture in Georgian Britain Creation of Classical Gothic Architecture, Furniture and Interiors High Fashion and Fragments of the Past: the Omnipresence of Rococo Gothic Fluctuating Tastes: Gothic in Later Eighteenth-century Britain The 'Chaos of Modern Gothic Excrescences': Regency to Revolution Conclusion

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