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Sculpting in Time: Reflections on the Cinema

Author/EditorTarkovskii,Andrei (Author)
Hunter-Blair, Kitty (Author)
ISBN: 9780292776241
Pub Date01/04/1989
BindingPaperback
Pages256
Dimensions (mm)216(h) * 191(w) * 13(d)
Sets down the author's thoughts and his memories, revealing for the original inspirations for his films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. The author discusses their history and his methods of work, and he explores the many problems of visual creativity.
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Andrey Tarkovsky, the genius of modern Russian cinema-hailed by Ingmar Bergman as "the most important director of our time"-died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.
In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films-Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre-most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

Andrey Tarkovsky, the genius of modern Russian cinema-hailed by Ingmar Bergman as "the most important director of our time"-died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.
In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films-Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre-most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

IntroductionChapter I: The beginningChapter II: Art-a yeaming for the idealChapter III: Imprinted timeChapter IV: Cinema's destined roleChapter V: The film imageTime, rhythm and editingScenario and shooting scriptThe film's graphic realisationThe film actorMusic and noisesChapter VI: The author in search of an audienceChapter VII: The artist's responsibilityChapter VIII: After NostalgiaChapter IX: The SacrificeConclusionNotes

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