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Whitney: The Whitney Museum of Art

ISBN: 9788862640091
AuthorPiano R
Pub Date01/05/2015
BindingPaperback
Pages196
The Whitney Museum is building itself a new home in downtown Manhattan's Meatpacking District. Due to open on May 1st, 2015, the project will substantially enlarge the Whitney's exhibition and programming space.
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The Whitney Museum is building itself a new home in downtown Manhattan's Meatpacking District. Due to open on May 1st, 2015, the project will substantially enlarge the Whitney's exhibition and programming space. Clad in pale blue- grey enamel steel panels, the new, eight-storey building is powerfully asymmetrical, with the bulk of the full-height museum to the west, Hudson-side, with tiers of lighter terraces and glazed walkways stepping down to the High Line, embracing it into the project. The Museum is entered via a dramatically cantilevered plaza, or "largo", a public space that serves as a kind of decompression chamber between street and museum, a shared space, with views to the Hudson and the High Line entrance just a few steps away. Accessed from the "largo", the main entrance lobby also serves as a public gallery - nearly a thousand square feet (100 sq. Meters) of free-entry exhibition space.Level three houses a 170-retractible seat theatre with double-height views over the Hudson River, along with technical spaces and offices. Some 4 650 sq. Meters of gallery space is distributed over levels five, six, seven and eight, the fifth level boasting a 1670 sq.
Meters, column-free gallery - making it the largest open-plan museum gallery in New York City. A text at the end of the book provides the reader with a "behind the scene" view. A conception of the museum that starts from the work of art to arrive at the architectural project. A journey that takes the reader through time and space during its realisation.

The Whitney Museum is building itself a new home in downtown Manhattan's Meatpacking District. Due to open on May 1st, 2015, the project will substantially enlarge the Whitney's exhibition and programming space. Clad in pale blue- grey enamel steel panels, the new, eight-storey building is powerfully asymmetrical, with the bulk of the full-height museum to the west, Hudson-side, with tiers of lighter terraces and glazed walkways stepping down to the High Line, embracing it into the project. The Museum is entered via a dramatically cantilevered plaza, or "largo", a public space that serves as a kind of decompression chamber between street and museum, a shared space, with views to the Hudson and the High Line entrance just a few steps away. Accessed from the "largo", the main entrance lobby also serves as a public gallery - nearly a thousand square feet (100 sq. Meters) of free-entry exhibition space.Level three houses a 170-retractible seat theatre with double-height views over the Hudson River, along with technical spaces and offices. Some 4 650 sq. Meters of gallery space is distributed over levels five, six, seven and eight, the fifth level boasting a 1670 sq.
Meters, column-free gallery - making it the largest open-plan museum gallery in New York City. A text at the end of the book provides the reader with a "behind the scene" view. A conception of the museum that starts from the work of art to arrive at the architectural project. A journey that takes the reader through time and space during its realisation.

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